People stumble upon microtones in all sorts of different ways, coming in at all sorts of different angles. If we are interested in an increased awareness of microtonal music, we would do well to study patterns in our own 'ah-ha!' moments.
Once deciding to go microtonal, many composers make early crucial decisions (or assumptions!), about which tuning and which instruments/software to concentrate on, and these sometimes end up affecting their entire life of work!
Collectively we have a lot more experience, and I want to see the cap of the iceberg, so to speak
Make a page and link to it here, wherein you give your answer to any of these questions:
Name your page after yourself, or whatever you'd like yourself to be called. When you have new answers, update the page!
(add links here)
Jacob
Rozencrantz
Prent Rodgers
Daniel Thompson
Herman Miller
Austin Butts
Hans Straub
Igliashon Jones
Carlo Serafini
Sean Archibald
Stephen Crawford
Tútim Dennsuul
Rationale: